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Info about artist Ivan Kanazirev

Born:  May 31, 1956

Country of birth:  Hungary

Currently lives:  Budapest, Hungary

Short description of place of birth and how childhood was spent (for example schools, what events have
shaped the artist’s character):

He was few months old baby in 1956 when his parents, diplomats in Hungary, were called back because of the
counter-revolutionary  riots there. They went back to Bulgaria where his childhood was cloudless, poor but happy.
When he was a first grade  student at school his  parents were sent back to Budapest. There he went to the
Bulgarian Elementary School in Bajza St. until the 4th grade. He remembers  once getting a grade 2 (this was the
worst grade in the  Bulgarian grading system) which event had tremendously shook him. He considered it extremely
unfair. He will remember it his entire life.

The particular political or general interest significance of the artist’s home country or home town:

Bulgaria has an important political and general interest significance in the Balkan region. A democratic country that
has stabilizing role in the region, a candidate for the memberships in the European Union and NATO. 

The event that introduced the artist to the arts:

He was preparing to attend the school of music, regularly took piano-lessons, when one of his art works attracted
the attention of an elderly art teacher. The teacher coached him in three weeks for the High School of Fine Arts in
Sofia, where he finally gained admission. He was about 14 years old then. 

Formal training in the arts:

After High School of Fine Arts in Sofia he attended the Academy of Fine Arts in Budapest, where he graduated of
painting major in 1981. His teachers were Lajos Svaby and Simon Sarkantyu. Postgraduate studies followed for one year at the School of Arts and Crafts in Budapest, majoring in textile. His teacher was Karoly Plesznevi.

Short description of artist’s family life as a youth:

In spite of his family always lived a simple, saving way of life he didn't feel particularly the lack of anything. He
had a happy childhood and youth.

How did the family support the decision to become an artist:

They were against it. They didn't like the idea particularly his mother who regrets to date that he didn't chose
the musical career instead. In their opinion painting is a non-tangible career with huge expenses, not a safe living.

Sources of inspiration for the creative process:

Quite early, in high school they had a very good teacher who at the same time was friend as well. This teacher represented a mix of surrealist-impressionist style. He was kept in evidence as avant-garde artist in those days. He gave the artist the first push, didn't throw an obstacle in any way, didn't consider the school dogmas as more important.

Keeping this inspiration throughout artistic life or finding new inspiration from which the artist’s art stems:

He kept the first inspiration but always developed further. In the meantime there were other acquaintances, other inspiring factors but the basics remained. Short description on how the artist's art has matured and progressed from his inception in the arts to the present moment. According to Kanazirev: It began with studies at school of which studying and knowledge is a very important condition in the development of every artist. After that the artist worked much in the creation of figural paintings and now he reverted partly to the realistic portrayals. He is increasingly attracted to nature, the portrayals of animals.

The time when the artist achieved his first sale and what effect this event had on his personal life:  

In 1976, during his undergraduate years he sold few pieces of his art works to a collector in Budapest. He could hardly say farewell to his paintings, which he considered his 'children'. But on the other hand he was happy because he was in need of money. He bought paints from all the money.

Names of the locations and years in which the artist’s art has been exhibited:

Open Exhibitions

1980 Budapest, Bulgarian Cultural Institute

1982 Budapest, Bulgarian Cultural Institute

1990 Budapest, Pataky Istvan Arts Center

1991 Budapest, Home Gallery

1993 Budapest, Bulgarian Cultural Institute

        Budapest, Kossuth Club

1995 Vienna, Oberbank

        Lillafüred, Hotel Palota

        Vienna, L'Atelier Q

        Budapest, Hotel Kempinski Corvinus

        Vienna, Caffe Lux

1996 Budapest, Bulgarian Cultural Institute

        Budapest, Hotel Thermal

1999 Budapest, Suzuki House Gallery

2000 Budapest, Art Expo

2000 Budapest, Enterieur Vigadó Gallery

2000 Budapest, Bulgarian Cultural Institute

2000 Budapest, School of Horticulture

2000 Budapest, Paragh Gallery

Joint Exhibitions

1988 Budapest, Bulgarian Cultural Institute
        Sofia, Hungarian Cultural Institute

1991 Budapest, Eve Art Gallery
        Hamburg, Art Hamburg

1992 Budapest, Art Expo
        Frankfurt, Art Frankfurt
        Baden, Baden
        Geneva

1993 Budapest, Home Gallery Surrealistic Exhibition
        Kaposvár (Hungary), 2nd National Grotesque Biennial Festival
        Esztergom (Hungary), 1st Pastel-Biennial
        Kecskemét (Hungary), Ecce Homo National Competition
        Szentes (Hungary), Katona K. Ferenc and his wife T. Júlia Competition
        Kiskőrős (Hungary), Petőfi Sándor National Competition

1994 Budapest, Spring Art Exhibition (Petőfi Hall)
        Eger (Hungary), 14th National Watercolor Biennial
        Chicago, International Art Exposition (Joint exhibition of the Society of Hungarian Painters)
        Tehran, Tehran Cartoon Biennial (First National Exhibition)
        Berlin, "Women Possess the Night"

1995 Eger (Hungary), Watercolor Biennial
        Esztergom (Hungary), 2nd Pastel-Biennial

1996 Eger (Hungary), 15th National Watercolor Biennial

1998 Szentendre (Hungary), Kossuth Gallery
        Baja (Hungary)

1999 Miskolc (Hungary)
        Debrecen (Hungary)
        Esztergom (Hungary)
        Budapest, Zichy Castle

2000 Budapest, Gutmann Gallery

2000 Budapest, Suzuki House Gallery

2000 Budapest, Art Expo

2000 Budapest, Enterieur Vigadó Gallery

The styles in which the artist specializes:

There is no definite tendency. The artist's style is pretty unique, a bit impressionist, dynamic. In the future he would like to go more and more into abstract but only if it is well-established and thought-out, intelligent abstract art of painting. So far the artist painted more or less figural compositions, still lifes, but always the determinant form was dominant. He feels now that the moment has ripened for the abstract art, which is a higher, more thought-out form of art. This kind of painting can be started with only a lot of experience.

The specific events (personal or political) which have affected the artist’s art:

He was expelled from his own country by the socialist realism but he did not change his style of art.

If the artist’s art is a commentary on a specific situation (e.g. expression of political situation or do they comment on intimate emotions):

Each of the artist's paintings are a reflection of a certain state. Principally emotions, inner struggles, relations between people, attitudes and moments from life. In these paintings of course he strongly includes his own presence and at the end his opinion.

The artist’s opinion on the present state of the arts and where he thinks art might be headed:

"Many inexperienced young artists who cannot draw, have no knowledge of the skeleton and muscular system of a human or an animal, find the escaping into abstract easier, thinking 'from this it couldn't be seen if I cannot draw anyway'. Or the escape to the world of computers which offer many variation. This is inappropriate. The knowledge of basics is a must, only then can quality art be created." Kanazirev believes in the art of the future, says "Emptied more and more we are getting back to the realistic, classical forms. Those are what we are looking for.".

Description of the artist’s emotions during the artistic process (e.g. if he considers the artistic process a spiritual experience, a subconscious reflection or other):

"During the working process I become completely transfigured" says Ivan, "there is nothing left to me but the canvas and me and what's in me, what I got out of myself. Creation is a hard process, I'd like to give my sentiments to others in the form of pictures. It's as if two or three of us would be seeing the same movie, the transaction has been done."

If there is any recurrent theme in the artist’s art and the explanation of its origins and motives:

The artist loves animals, the muteness that surrounds them. They tell more by their behavior then any human being with speech. 

The artist’s favorites of his own works:

"Jealousy", "We are here too", "Bulls", "Walk in the park", "Abundance I, II, III" etc.

Description of what inspired the creation of these works, what emotions they provoke in the artist etc.:

"I am unable to describe all of my paintings, I created a lot. Some of them comforting but rather dominating the tense, dynamic pictures. A painting is interesting if it catches the one, produces a kind of feeling in him, positive or negative doesn't matter, just be there that element which disturbs the one's apparent calmness." 

If being an artist taught Molnar new facets of life and living:

In a short explanation, it taught him good and bad as well. 

Awards that the artist received for his works:

2000 Nagy László Medal and Diploma, from Budapest City 11th District Minority Municipality for outstanding achievement in arts. 
2000 Budapest 2nd District, Kempinski Hotels Silver Medal 

Newspaper, magazine articles covering Molnar’s art:

Jun 14, 1995 North Hungary paper, "Artist who paints and pre-paints the dreams" Katalin Szalóczi (author) 
Jun 07, 1995 the Sunday paper, "Bulgarian dreams on Hungarian canvases" Ágota Pavlovics (author)
Bulgarian Cultural monthly, "Haemous" 
May 4-10 Pest Program weekly, Vera Tarján (author)
Bulgarian Cultural Forum, Bulgarian-Hungarian bilingual paper
Bulgarian Paper, the jointly published publication by the Bulgarian Republican Minority Municipality and the Bulgarian Minority Municipality of Budapest

Appearance of Molnar’s art in other sort of media:

Hungarian Television, "Rondo" minority program several times
Kossuth Radio, art interview

The artist’s ambitions in art:

"I would like to achieve more recognition worldwide and in my own country. But most of all among friends."

What the artist wishes to accomplish in the arts:

"I would like to work in tranquility, having no financial problems because it disturbs the creative work. I am adherent of the continuous, steady, peaceful work." 

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